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At each lake, Benning prepared a single shot, selected a single camera position and a specific moment.The climate, the weather and the season deliver a level of variation to the film, a unique play of light, despite its singularity of composition.Curators of the Rotterdam Film Festival noted, "The power of the film is that the filmmaker teaches the viewer to look better and learn to distinguish the great varieties in the landscape alongside him.
Janet Gaynor, Frank Borzage, and Benjamin Glazer won Oscars for their work on the film, specifically awards for Best Actress, Best Directing (Dramatic Picture), and Best Writing (Adaptation), respectively.
"Seventh Heaven" also marked the first time often-paired stars Janet Gaynor and Charles Farrell worked together.
Reginald Rose had adapted his original stage play "12 Angry Men" for Studio One in 1954, and Henry Fonda decided to produce a screen version, taking the lead role and hiring director Sidney Lumet, who had been directing for television since 1950. Filmed in a spare, claustrophobic style—largely set in one jury room—the play relates a single juror's refusal to conform to peer pressure in a murder trial and follows his conversion of one juror after another to his point of view.
The story is often viewed as a commentary on Mc Carthyism, Fascism, or Communism. Rapf (PDF, 258KB) James Benning's feature-length film can be seen as a series of moving landscape paintings with artistry and scope that might be compared to Claude Monet's series of water-lily paintings.
A famous Broadway director (Warner Baxter) takes on a new show despite his ill health, then faces disaster at every turn, including the loss of his leading lady on opening night.
The film features Bebe Daniels as the star of the show and Berkeley regulars Guy Kibbee, Ginger Rogers, Dick Powell, and Ruby Keeler, whom Baxter implores, "You're going out a youngster, but you've got to come back a star!Expanded essay by James Verniere (PDF, 691KB) Directed by Stuart Paton, the film was touted as "the first submarine photoplay." Universal spent freely on location, shooting in the Bahamas and building life-size props, including the submarine, and taking two years to film. The film is based on Jules Verne's "20,000 Leagues Under the Sea" and to a lesser extent, "The Mysterious Island." The real star of the film is its special effects.Although they may seem primitive by today's standards, 100 years ago they dazzled contemporary audiences.Other essays have been written specifically for this website.The views expressed in these essays are those of the author and do not necessarily represent the views of the Library of Congress." Stanley Kubrick's landmark epic pushed the envelope of narrative and special effects to create an introspective look at technology and humanity. Clarke adapted his story "The Sentinel" for the screen version and his odyssey follows two astronauts, played by Keir Dullea and Gary Lockwood, on a voyage to Jupiter accompanied by HAL 9000, an unnervingly humanesque computer running the entire ship.With assistance from special-effects expert Douglas Trumbull, Kubrick spent more than two years creating his vision of outer space.Despite some initial critical misgivings, "2001" became one of the most popular films of 1968.Billed as "the ultimate trip," the film quickly caught on with a counterculture audience that embraced the contemplative experience that many older audiences found tedious and lacking substance. Williamson's "photosphere," an underwater chamber connected to an iron tube on the surface of the water, enabled Paton to film underwater scenes up to depths of 150 feet.Harryhausen's stunning Dynamation process, which blended stop-motion animation and live-actions sequences, and a thrilling score by Bernard Herrmann ("Psycho," "The Day the Earth Stood Still") makes this one of the finest fantasy films of all time.Expanded essay by Tony Dalton (PDF, 900KB) Considered to be one of the best westerns of the 1950s, " to Yuma" has gained in stature since its original release as audiences have recognized the progressive insight the film provides into the psychology of its two main characters that becomes vividly exposed during scenes of heightened tension.