Fashion Dissertation Titles

Fashion Dissertation Titles-26
Its vast array of different acts included synchronised swimming, diving, dance, skating, fashion, clowns, and performances by important athletes of the time, including Esther Williams and Johnny Weissmuller.Due to its extravagant declarations of Americanness, the Aquacade provides invaluable insight into American identity around the start of World War II. One of the most exciting parts of my research has been analysing the use of the American flag and American symbols as an expression of American identity in the Aquacade.In the course of the research process, I became more and more intrigued by the creative activity of the many individuals and loosely knit groups of craftsmen and -women in London in the 1920s and 1930s.

Its vast array of different acts included synchronised swimming, diving, dance, skating, fashion, clowns, and performances by important athletes of the time, including Esther Williams and Johnny Weissmuller.Due to its extravagant declarations of Americanness, the Aquacade provides invaluable insight into American identity around the start of World War II. One of the most exciting parts of my research has been analysing the use of the American flag and American symbols as an expression of American identity in the Aquacade.

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As such, I have been living like a hermit, only leaving my room for food and tea. Something along the lines of ‘Capturing Fashion at Work: Mark Shaw’s behind-the-scenes images of the Paris collections for LIFE magazine in the 1950s’ What prompted you to choose this subject?

Our tutor Dr Rebecca Arnold’s fondness for the work of American designer Claire Mc Cardell (you may thank her for ballet flats, spaghetti straps, separates…) led me to a fine art and textile collaboration she worked on (Picasso prints!

I think I already gave my favourite images away in my last blog, as I love both the cover of the Footprints leaflet and the photograph of Joyce Clissold wearing a scarf of her own design.

But perhaps I can share my favourite ‘object’ with you.

The archive contained amazing amateur films of the New York World’s Fair, which also showed the Aquacade.

The Aquacade was the most extraordinary show that I had come across for a long time.Courtesy of the British Library., yearly coverage of the Crystal Palace cat show, and a story on the flammability of dresses in the home.My all-time favorite line of text was from the installment of ‘Vista of Fashion’ in which author Mrs.Currently my working title is ‘“Embroidered in Dyes”: Fabrics and Fashions by the Footprints Textile Printing Workshop in London 1925–1939’.Our amazing tutor Rebecca Arnold informed me about the Joyce Clissold and Footprints archive at the Central Saint Martins because she knew I am particularly interested in textiles and the making of dress.I visited this archive in February and immediately fell in love with the Footprints designs and Joyce Clissold’s work as a designer-craftswoman.I especially appreciate the broad perspective on fashion that the archive gave me, as it contains a wide range of objects that illustrate the diverse processes of designing, making, advertising and retailing of fabrics as well as garments.As the US did not have strongly embedded traditions and copied European ideas and design styles until well into the 20 century, identity had to be based on something other than traditions that could be considered unequivocally American.Therefore, American identity focussed on history and symbols, including the American flag and the Statue of Liberty.) which was photographed for LIFE in the mid-Fifties by Mark Shaw.The Mark Shaw Archive recently popped up on Instagram (@markshawofficial / @markshawlondonsydney), and scrolling through his work – snapshots of Audrey Hepburn, Jackie Kennedy amongst the images – I discovered and became mildly obsessed with his images of models prepping for fashion shows.

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