Essay Picturesque Beauty

Essay Picturesque Beauty-45
It seems to me' - dreamily; she was not alarmed - 'that you are in a muddle.1 She shook her head.

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She discusses Throughout history the ideal of beautiful has been difficult to achieve it has been shaped by social contexts.

"GETTING THE PICTURE" OF THE PICTURESQUE : SOME THOUGHTS ON THE GREATEST BRITISH AESTHETIC MUDDLE OF THE EIGHTEENTH AND NINETEENTH CENTURIES E. Forster was intimately convinced that the British were arch practitioners of what Mr Emerson in A Room with a View calls "a muddle."1 By muddle he meant to stigmatize their flair for leaving emotions or ideas unconnected, in a state of haze and blur.

The often-told-story of the word picturesque provides material to substantiate his argument; for the "Picturesque" is probably the greatest aesthetic muddle ever brought to bear on Continental students of landscape gardening, landscape painting and landscape writing.

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This is not to say it is a futile, insignificant aesthetic tool. the cultural importance of the Picturesque stands in direct proportion to the theoretical imprecision of its vocabulary," as Stephen Copley and Peter Garside have argued.2 Picturesque, as a word, is a problem even before one begins to consider Richard Payne Knight's and Uvedale Price's celebrated controversy, which eventually turned the picturesque into a problem.3 Indeed its source was complex (Italian, but also French), and its original definition was "a bit of a muddle"; its usage has suffered ever since from such a troubled gestation.

In 1849 Ruskin said that possibly no other word in the language had provoked such frequent and prolonged debates.4 It is for this rea- 1. Forster, A Room with a View, 1908 (1978; Harmondsworth: Penguin Books, 1990) 222: '"My dear, I am worried about you.


Comments Essay Picturesque Beauty

  • What is the picturesque? National Trust

    Gilpin published guidebooks to picturesque destinations such as the Wye Valley and the Lake District, and essays explaining how to sketch picturesque scenery. His guidebook, 'Observations, relative chiefly to picturesque beauty' copies of.…

  • Getting the Picture" of the Picturesque Some Thoughts on.

    Three Essays on Picturesque Beauty; on Picturesque Travel; and on Sketching Landscape To Which Is Added a Poem, on Landscape Painting. London, 1792.…

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    An Essay on Prints BOUND WITH Three Essays On Picturesque Beauty; On Picturesque Travel; and on Sketching Landscape To Which is Added a Poem, on.…

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    Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770" 1782. In Gilpin's “Essay on Picturesque Travel” he furthers that the “general.…

  • William Gilpin priest - Wikipedia

    William Gilpin 4 June 1724 – 5 April 1804 was an English artist, Anglican cleric, schoolmaster and author. He is best known as one of those who originated the idea of the picturesque. In 1768 Gilpin published his popular Essay on Prints where he defined the picturesque as '"that kind of beauty which is agreeable in a.…

  • The Revd William Gilpin and the Picturesque; Or, Who's. - jstor

    Visual quality that strikes the eye and which unlike the Beautiful does not requ presernce of. Gilpin's Three Essays on Picturesque Beauty 1794 edn was.…

  • The Picturesque - SIUE

    The picturesque may be thought of as halfway between the beautiful, with its. Gilpin in fact wrote an essay on "Picturesque Travel," effectively explaining how.…

  • Picturesque - Wikipedia

    Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year. William Gilpin, Three Essays On Picturesque Beauty; On Picturesque Travel;.…

  • From Picturesque View to Picturesque Vision William. - jstor

    Although at the outset of Three Essays picturesque beauty may appear to be a derivative only of the beautiful those objects that "please the eye in their.…

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