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In response to , many scientific organizations developed websites to educate audiences as to the realities of global warming, differentiating between the film’s factual, scientific basis and its “Hollywoodized” depictions of climate change.Each website takes seriously potential questions audiences may have about the scientific plausibility of events depicted in the film.
The movie is based on a book, “The Coming Global Superstorm,” and takes a look at what the world would look like if the greenhouse effect and global warming continued.
“We are in one of those warming periods now,” Martino said.
The policies necessary to effectively curb global warming could have immediate, and more readily apparent, economic consequences.
As science writer Bill Mc Kibben suggests, “[i]t’s always been hard to get people to take global warming serious because it happens too slowly.” Hence, the challenge for scientists is to effectively demonstrate the urgent need for action.
Although illustrates some scientifically supported effects of global warming, such as melting polar ice caps and increasingly erratic weather patterns, the film’s central depiction of climate change resides in a flash-freezing super-hurricane that turns North America into a giant glacier.
While the menacing super-hurricane provides the requisite dramatic effect, such a meteorological phenomenon defies any scientific reality.
He also analyzes filmic gestures that bespeak racial stereotypes, opening a key topic that runs through the book: What is the nature of praise?
The theme of aesthetic judgment, viewed in the light of “passionate utterance,” is everywhere evident in Cavell’s effort to provoke a renaissance in American thought.
Critical to such a rebirth is a recognition of the centrality of the “ordinary” to American life.
Here Cavell, who has alluded to Thoreau throughout, takes up the quintessential American philosopher directly, and in relation to Heidegger; he also returns to his great philosophical love, Wittgenstein.